Project Prophets isn't a label with signings. It's a collective — three people who sat at the same table and decided independent artists deserve better. Built together. Run together. No hierarchy, no egos, no passengers.
D-Magick isn't just the face of Project Prophets — he's the entire infrastructure. Writer, composer, engineer, mixer, master engineer, producer, and A&R all in one. Twenty-five years in the music industry gave him one conclusion: independent artists deserve better.
His hip-hop catalog is built from the ground up — every track written, produced, engineered, mixed, and mastered in-house. No outsourcing. No compromise. That's the standard Project Prophets was built on, and it's the standard every distributed artist receives.
As A&R, D-Magick personally reviews every paid demo submission. He's not looking for the next trend — he's looking for artists who have something real to say and the talent to back it up.
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Ms. Nova-Cane didn't join Project Prophets — she helped build it. As co-founder, she brings leadership, strategic vision, and an ear for talent that cuts through the noise. Every decision about the label's direction has her fingerprints on it.
And she's not just building — she's creating. Her singles prove she belongs on both sides of the table: the boardroom and the track. More on the way.
Old Head Greezee brings decades of industry knowledge, street-level credibility, and the kind of conviction that doesn't waver. He co-founded Project Prophets because he's seen too many artists get taken advantage of by labels that promise the world and deliver paperwork.
His role isn't in front of the mic — it's making sure the label stays true to its word. Artist-friendly deals. Transparent operations. No games. When Project Prophets says you keep your masters and 80%, Greezee is the one making sure that promise holds.
Project Prophets is actively scouting new artists across every genre. Real talent, real deal. No gimmicks, no advances, no 360. Just music, masters, and 80% of your royalties — yours.